This essay offers a daseinsanalytic reading of Todd Phillips’s Joker (2019). Rather than a nosological case, Arthur Fleck’s descent is read as an existential wound: a progressive collapse of thrownness, being-with, care, and attunement in a city that withholds recognition.
Existentials in Daseinanalysis: Madness, Existentials, and the Possibility of Love in Joker Movie
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